The middle of last week saw us reviewing and strengthening
the students’ understanding of literary terminology. Various handouts and
inserts which they were to three hole punch and place in their binders for the
class came into great use this week as they began to work on identifying
various instances of these terms in poetry and prose.
This Tuesday following the Labor Day weekend, students began
working with imagery and symbolism in conjunction with their introduction to
Modernism as a movement in literature between 1914 and 1939. Tuesday was a lecture
day in which the teacher used Cornell notes in class to give the students some
historical background on the movement as well as some singular aspects that
identify a work as being quintessentially “modern.”
Incidentally, this week saw an increase in my involvement in
planning for the class. Mrs. T has given me the task of introducing bellwork
and I began Tuesday’s introduction of Modernism with a pre-writing exercise. My
three questions were simple. “What does the word ‘Modern; mean to you?” “What
is ‘Modernism’ ?” and “The Great Gatsby
and Of Mice and Men are often referred
to as ‘Modern Novels.’ What does that tell you about them?
Wednesday (today), was slightly more interesting as I walked
in to find a substitute teacher who was more than willing to let me run the
class from start to finish. As the bellwork assignment was on a flash drive and
I have not been made familiar about how to operate the smart board, I decided
to hand out the main assignment at the door as I welcomed the students.
The assignment was a packet of poetry (Shel Silverstein,
Ezra pound, Dorothy Parker, William Carlos Williams, and others). I instructed
the students to use their previous handouts identifying literary terminology
and multicolored highlighters to make a key at the front of the packet and to
go through highlighting examples of the various figurative language in each
poem. (EXAMPLE: WILLIAM CARLOS WILLIAMS DESCRIBES A RED WHEEL BARROW IN SUCH A
WAY AS YOU SEE IT AS AN IMAGE IN YOUR MIND’S EYE. IF YOU ASIGN THE COLOR RED TO
IMAGERY YOU CAN HIGHLIGHT THE “RED WHEEL BARROW.”)
This was a fun class in that I had absolutely no control and
almost sole authority. The substitute did a lot of runs to the office to check
on things for the next class. I will say that nobody was hurt and that I only
had to raise my voice three times to return the volume level to one that was
more manageable. Some students seemed to struggle with the assignment while
others seemed to zip through it rather quickly in order to use the last 20
minutes of class for discussion of various topics unrelated to class.
In retrospect, I think I should open future classes with the brief
description of the assignment and then offer the last ten minutes of class as a
reward for the first 40 minutes spent working diligently and quietly in small
groups. I take responsibility for the rather disorganized chaos of today in
that I should have had a better idea in mind of structure before I began.
But, on the brighter side, I’m looking forward on working
with my CT on teaching the upcoming unit on Steinbeck’s Of Mice and Men. The students will spend this week on poetry, the
next week on short stories in the Modernist Tradition, and then they will begin
reading and taking daily reading quizzes on the novel.
I’m excited and yet still a bit nervous. My CT is a good
example and today I realized just how effective her persona alone is in keeping
the classroom in order.
Mr. Smith, I admire and applaud your confidence and initiative in taking over your CT's class without advance notice. Bravo! And thanks for sharing fabulous resources for helping students learn how you intend to communicate conventions corrections (and how they might communicate them to one another).
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