Friday, August 26, 2011

Personification And Usage Introduced Through A Poem

Kenneth Koch
(1925 – 2002)
Permanently

One day the Nouns were clustered in the street.
An Adjective walked by, with her dark beauty.
The Nouns were struck, moved, changed.
The next day a Verb drove up, and created the Sentence.

Each Sentence says one thing—for example, “Although it was a dark
   rainy day when the Adjective walked by, I shall remember the pure
   and sweet expression on her face until the day I perish from the
   green, effective earth.”
Or, “Will you please close the window, Andrew?”
Or, for example, “Thank you, the pink pot of flowers on the window
   sill has changed color recently to a light yellow, due to the heat from
   the boiler factory which exists nearby.”

In the springtime the Sentences and the Nouns lay silently on the grass.
A lonely Conjunction here and there would call, “And! But!”
But the Adjective did not emerge.

As the adjective is lost in the sentence,
So I am lost in your eyes, ears, nose, and throat—
You have enchanted me with a single kiss
Which can never be undone
Until the destruction of language.




Here is a link to Mr. Koch's Wikipedia page:
http://en.wikipedia.org/wiki/Kenneth_Koch


And at Poets.org:
http://www.poets.org/poet.php/prmPID/75

Controversial Poetry? Or Just Really Funny?

Jennifer L. Knox (1968-)
~
Hot Ass Poem
Hey check out the ass on that guy he’s got a really hot ass I’d like to
see his ass naked with his hot naked ass Hey check out her hot ass
that chick’s got a hot ass she’s a red hot ass chick I want to touch it
Hey check out the ass on that old man that’s one hot old man ass look
at his ass his ass his old man ass Hey check out that dog’s ass wow
that dog’s ass is hot that dog’s got a hot dog ass I want to squeeze that
dog’s hot dog ass like a ball but a hot ball a hot ass ball Hey check out
the ass on that bird how’s a bird get a hot ass like that that’s one hot
ass bird ass I want to put that bird’s hot ass in my mouth and swish
it around and around and around Hey check out the ass on that
bike damn that bike’s ass is h-o-t you ever see a bike with an ass that
hot I want to put my hot ass on that bike’s hot ass and make a double
hot ass bike ass Hey check out that building it’s got a really really
really hot ass and the doorman and the ladies in the information
booth and the guy in the elevator got themselves a butt load of hot ass
I want to wrap my arms around the whole damn hot ass building and
Squeeze myself right through its hot ass and out the other side I
want to get me a hot ass piece of all 86 floors of hot hot hot hot ass!

(2001)

Taken from The Best American Poetry 2002
      Here is a link to Ms. Knox's Wikipedia Page:

      And to her website:

Friday (or) Busting Out the Blue Jeans, Baby!

In the interests of Friday, I wore jeans instead of slacks today. I wore a button-up shirt and jacket, so I still looked professional.

I also presented a few tentative bellwork ideas involving poems. The plan is to hand out a poem and have the students read and respond to them with journal entries, first giving their opinions of the work, and then working out how the work relates to the Modern concepts listed below.

I'm open to any poetry suggestions deemed appropriate for High School Juniors. Right now, I'm leaning towards Nightcrawler Buys a Woman a Drink and Reading Comic Books in the Rain by Gary Jackson, A Topeka Poet; Cardinal Ideograms by May Swenson, Facing It by Yusef Komunyakaa, and one that might possibly get me into trouble, called Hot Ass Poem by Jennifer L. Knox. I'm not sure if you can find any of these online. If not, I might post them to get some feedback.

Eventually, the idea is to get them ready to read Of Mice and Men, a Modern Novella, and discuss elements of the story that run parallel to these poems.

Elements of Modernism

  • Emphasis on bold experimentation in style and form, reflecting the fragmentation of society.
  • Rejection of traditional themes, subjects, and forms.
  • Sense of disillusionment and loss of faith in the American Dream.
  • Rejection of sentimentality and artificiality.
  • Rejection of the hero as infallible in favor of a hero who is flawed and disillusioned but shows “grace under pressure”.
  • Interest in the inner working s of the mind, sometimes expressed through new narrative techniques, such as stream of consciousness.
  • Revolt against the spiritual debasement of the modern world.

Thursday, August 25, 2011

A First Week in the Field (Aug. 22-26)

Ah, late August, a time to show up on a 100+ degree day in a jacket and tie and pretend you're not sweating profusely as you stand closely by your CT and smile while making encouraging eye contact with the 25 students in the English III class you've decided to observe. You take in the wall decorations, the inspirational quotes gleaned from Shakespeare, the Breakfast Club and Office Space movie posters, the little useful signs proclaiming magical tools for the activation of student learning.

"FANBOYS," "THE DEAD VERB LIST," "PASSIVE VOICE."

By now, you've been through a lot of classes; each one supposedly instrumental in preparing you for these moments when you are going to be floating through the room, passing out or picking up assignments, chatting with students, answering questions about the difference between "idiom" and "analogy." Frankly, you're still nervous; and let's face it, you're still not that sure you’re going to be any good at this teaching stuff. Sure, you know all the books, you love the language, and you’ve even sat through some pretty sick and twisted classes to get to this point (STATISTICS? REALLY? WHY?!).

You've learned all the rules of writing well enough that you've gotten used to breaking them elegantly.

The CT, Ms. T., introduces you and tells the students how lucky they are to have you as a resource in the classroom. You smirk at the word. You're still not sure if you're a very reliable resource. Confidence is a big issue for you. Knowing what you're talking about doesn't yet mean in your mind that you can get other people to know what you're talking about.

Now, you look at your CT's daily objective board and you smirk your way through Monday with the kids all shyly raising hands when you pass by, not sure about you, but still in that mode of exploratory curiosity that will carry them through the first few weeks of school. 

But of course, I'm writing in the second person when I should be writing in the first.

This was my first Monday. I'd spent the summer in summer classes, hurrying to meet requirements, trying not to let any of my grades dip below a B so that I could continue on, unimpeded, towards the ultimate goal of my own classroom with my own batch of 170 High School Students with attentions spans running the gambit from minimal to that of the Zen-Buddhist-super-student. 

The school is large, old, wooden floors, separate libraries for fiction and non-fiction, wings separated so that social sciences, language arts, math, and physical sciences don't crowd each other out. It's not a block schedule, which is new to me as a teacher, and frankly a lot less complicated. I think I prefer it, after a week. The kids know where they're going already. It's one less thing for them to worry about. That is a good thing.

Routines and Procedures are already being run through by this highly effective teacher; a protocol for handing in assignments, the establishment of daily bell work or "D.O.L." to use a "T.L.A." Students have assigned seats with numbers and the teacher has a little cup of popsicle sticks with numbers matching the numbers on the chairs. She calls them "magic sticks" and they work the lottery system for getting volunteers from the audience.

"Number 15." A boy rises. "Ah, Jeremy, come on up! Can you diagram this sentence for us?"

One by one they come up. Answers are usually right, or-- if slightly off-- corrected cordially by another volunteer. It's amazing how fast the hour goes. A Daily Oral Language assignment, a class activity, assigned desk work in groups or pairs, and then the bell.

That was Monday.

Tuesday is the same, only instead of diagraming its sentence revision. Examples are taken from "real papers from past classes." The CT goes over common errors: "it's and its," "your and you're," "there, their, and they're," "doin instead of doing." And on the back she shows them the second half of the assignment, dealing with passive voice.

Each day the assignments are completed. They are pre-punched with three holes so the students can file them away in binders along with the class syllabus and tentative schedule. On Wednesday they have a binder check. On Fridays they'll hand in D.O.L. and any homework they had to take home to complete.

Wednesday is the same as Monday, only the air conditioner has gone out and it's 89 and climbing in the classroom. The teacher has moved the class to the computer lab, leaving a note on her door. Today they get a two page packet: Thesis Statements.

Do you know the Formula for Thesis Statements? Well, I didn't, but I'm glad I do now. 

Topic + Opinion = Thesis Statement.

After a review D.O.L. on sentence revision they start in on the packet. It's cool in the computer lab and I'm beginning to notice the kids are getting more comfortable raising their hands and asking me questions. Showing up early, I had a chance to meet some other CTs and faculty. Everyone keeps asking me if I'm a student teacher and I keep telling them, "next semester. For now, I still need the training wheels."

At the end of Thursday (AC still not fixed, we met in the fiction library), I've begun pilfering the assignments, taking them each home, photocopying them, and filing them away. I've made no secret of the fact that I'm planning to steal a lot of my CTs stuff to cannibalize for my own classes later on. We've begun talking about upcoming units on the Moderns (1914 and onward). She mentions poetry, and Of Mice and Men. I perk up having just completed a course in contemporary poetry.

"I've still got all the books and print outs in my car."

Tomorrow, I'm taking a few poems into class with me. I'm thinking I might have a few D.O.L. prompts to get the students thinking about common themes and imagery of the Modern period in American poetry and prose. I'm looking forward to Friday. The kids are actually a pretty nice bunch. I'm slowly beginning to learn names. Some of them are talkative, others are quiet, but I think most of them seem to enjoy this English Class. There's a smooth flow to the structure and by the end of week two, the CT has yet to truly enforce her discipline plan.

There will be more next week. Until then, I will leave you with my "inspirational pedagogical quote of the week" gleaned from my Bartlett’s Familiar Quotations.

"Treat people as if they were what they ought to be and you help them become what they are capable of becoming." – Goethe.

NOTE: "T.L.A." stands for Three-Letter Acronym.

Tuesday, August 23, 2011

Practical Practice Post

One would like a proper cup of coffee from a proper copper coffee pot. Say that four times fast and you'll be ready to recite Shakespeare like a pro!